Popular Regency Colors

  • APOLLO: bright gold.(1823)
  • AURORA: chili-colored. (1809)
  • AETHERIAL: sky blue. (1820)
  • AZURE: sky blue. (1820)
  • BARBEL: sky blue. (1820)
  • CAMELEOPARD : French beige. (1825)
  • CLARENCE: sky blue. (1820)
  • DEVONSHIRE BROWN: mastic (1812)
  • DUST OF RUINS: squirrel. (1822)
  • EGYPTIAN BROWN: mace. (1809)
  • ESTERHAZY: silver grey. (1822)
  • ISABELLA: cream. (1822)
  • LAVENDER: between heliotrope and parma. (1824)
  • MARIE LOUISE: calamine blue. (1812)
  • MEXICAN: steel blue. (1817)
  • MORONE: peony red. (1811)
  • POMONA: sea green. (1811)
  • PRINCESS ELIZABETH LILAC: Alice blue . (1812)
  • RUSSIAN FLAME: pale mastic. (1811)
  • SPRING: Cossack green . (1810)
  • TERRE D'EGYPTE: brick red.(1824)
  • VIOLET: parma violet

Glossary of Fabrics used during the Regency

  • ALLIBALLI: Indian muslin.
  • ANDALUSIAN: washing silk with broche pattern.
  • ANGLO-MERINO: near fine muslin, made from merino flock and manufactured in Norwich.
  • ANGOLA: aka new lama cloth; manufactured from llama hair.
  • ARMOZEAU: silk, much like lutestring but thinner.
  • ARMOZEEN: stout black silk.
  • BAREGE: semi-transparent working of silk and wool; open meshed.
  • BATISTE: dressed cotton muslin with wiry finish.
  • BOMBAZET: plain twilled worsted, most used for mourning dress.
  • BOMBAZINE: warp of silk, weft of worsted, with twilled appearance
  • BRAZILIAN CORDED SARCENET: colored sarcenet with thick white satin cord interwoven.
  • BROCADE: silk or other fabric with pattern formed by extra weft.
  • BROCHE: velvet or satin fabric with satin figure on face.
  • CALAMANCO: cotton or worsted textile with glazed, twilled or plain appearance.
  • CALEDONIAN SILK: poplin-like fabric with silkier surface, having checked pattern on white background.
  • CAMLET: fabric from wool and hair, silk and hair, in both plain or twilled fashion.
  • CASHMERE: twilled worsted from Tibetan goat hair.
  • CHINA CREPE: raw silk which is gummed and twisted, thicker than ordinary crepe.
  • CHINE SILK: silk with a "run" pattern.
  • CRAPE/CREPE: transparent crimped silk gauze.
  • CREPE DE CHINE: very soft China crepe.
  • DAMASK: fabric of silk or linen, with pattern in reverse on back.
  • DIMITY: stout cotton with raised pattern on one side, sometimes printed, and in plain or twilled fashion.
  • FOULARD: soft, light, twilled washing silk.
  • GALATEA: strong, firm striped cotton woven to look like linen.
  • GAUZE: fabric woven from silk, silk and flax, or cotton; delicate and transparent. Variations were made in Indian, Chinese, French, English and Scotch.
  • GINGHAM: checkered cloth made originally in linen, then later in cotton.
  • GLACE SILK: plain silk with lustrous quality.
  • GRANITE: type of chenille fabric used for headdress.
  • GRENADINE: open silk or silk and wool gauze much like barege but with more mesh. Produced in many varied varieties.
  • GROGRAM: aka gros grain.
  • GROS OR GROS GRAIN: rich silk with cord showing from selvedge to selvedge.
  • GROS DE NAPLES: corded Italian silk looking much like Irish poplin. Later used synon with lutestring
  • GROD D'HIVER: silk between tabby and paduasoy.
  • IMPERIAL GAUZE: open guaze with white warp and colored waft.
  • IPSIBOE: yellow crepe.
  • JACCONET: thin cotton; mix between muslin and cambric. Called nainsook today.
  • KERSEYMERE: twilled fine wool with 1/3 warp above, 2/3 warp below weft.
  • KINGKOB: Indian muslin, gauze or silk, embroidered in silver or gold.
  • KLUTEEN: striped French silk used for spencers and pelisses.
  • LENO: transparent fabric made from linen thread.
  • LEVANTINE: twilled sarcenet.
  • LINSEY: coarse mix of wool and flax.
  • LISSE: silk, uncrimped gauze.
  • LOVE: thin silk used for ribbons, with narrow satin stripes.
  • LUSTRE: thin poplin of silk and worsted.
  • LUTESTRING: fine corded glossy silk fabric.
  • MARCELLA: cotton quilting or coarse pique with diaper patter in relief.
  • MERINO: thin wool twill, from Spanish merino ship. Sometimes blend of wool and silk.
  • MERINO CREPE: mix of silk and worsted to produce shot effect.
  • MISTAKE: shaded silk used for ribbons.
  • MOHAIR: fabric constructed of Angora coat hair and woven with silk, wool, or cotten.
  • MOIRE ANTIQUE: heavy watered gros grain, waterred in irregular waves.
  • MORAVIAN WORK: cut work with buttonholed edges; forerunner of broderie anglaise.
  • MOUSSELAINE DE SOIE: fine soft silk fabric with muslin-like mesh.
  • MUSLIN: fine, thin semi-transparent cotton. Main types are: 1) Book, which is like swiss but coarser; 2) Indian, which is soft, thin, silky and opaque; 3) Leno, which is open and stiff; 4) Madras, which has a transparent ground with a darned pattern in thick soft thread; 5) Mull, much like Indian but not as silky; 6) Organdy, a soft opaque muslin with raised spots worked in, and 7) Swiss, a nearly transparent muslin with a hard finish.
  • NAINSOOK: delicate muslin.
  • NANKEEN: yellow tinted cloth.
  • NET: open fabric with holes made from knotting.
  • NORWICH CREPE: fabric with silk warp and worsted weft in two shades of the same color; much like bombazine but not twilled.
  • PADUASOY: strong, rich silk.
  • PARAMATTA: type of bombazine with weft of worsted and cotton warp, used for mourning.
  • PERKALE: cambric muslin.
  • PERSIAN: very thin silk, almost transparent.
  • PLUSH: shaggy hair type of silk with a long soft nap which resembles fur.
  • POPLIN: rep made of silk warp and wool or worsted weft, with fine surface cord; either borcaded, watered, or plain. Three classes: single, double or terry.
  • POULT DE SOIE: pure rich corded silk.
  • PULLCAT: printed muslin or cotton manufactured in Pulicat.
  • REP.: made of silk or silk and wool, or wool only, with thick cord, horizontal ribbing, and resembling poplin.
  • REP-BLUET: dark blue silk with cornflowers in black satin.
  • REP-SARCENET: between gros de Naples and fine cut French velvet.
  • ROSADIMOI: dead silk with pattern of monochrome flowers.
  • SARCENET: thin silk-like fabric in plain or twill.
  • SATIN: silk twill with glossy face and dull back. Brilliancy augmented by dressing.
  • SATINET: of silk and wool with satin stripe.
  • SERGE: loose weave of twill with warp of worsted.
  • SHAGREEN: silk with grained grove.
  • SHALLOON: loosely woven worsted, twilled on both sides.
  • SICILIENNE: fine quality poplin of silk and cashmere wool.
  • SILESIA: fine brown glazed linen, used for linings.
  • TABBINET: watered poplin.
  • TABBY: coarse silk taffeta, thick, watered and glossy.
  • TAFFETA: thin glossy silk with wavy texture.
  • TERRENDAM: Indian muslin.
  • TERRY VELVET: silk with fine corded surface on face. There is NO resemblance to velvet.
  • THE UNION: mix of silk and cotton.
  • TIFFANY: thin transparent silk resembling gauze.
  • TOILONETTE: fine wool somewhat like merino.
  • TULLE: fine silk net.
  • TURIN GAUZE: gauze woven of raw silk.
  • TUSSORE SILK: soft raw Indian silk fabric.
  • UNION: material made from mix of linen and cotton, dressed and stiffened.
  • VELETINE: small figured silk fabric.
  • VELOURS BROCHE: satin pattern on velvet back.
  • VELOURS EPINGLE: Terry velvet.
  • VICTORIA CREPE: crepe made of cotton.
  • VIGOGNE: all wool cloth, twilled and in neutral colors.
  • WINSEY: cotton and wool mix, resembling linsey.



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